A commission from Swiss publisher Gabrielle Capelli to produce a book about GTF created a challenge: how to present old work
in a new way?
Copies of every past print project were laid out on the floor
of a hired film studio and a purpose-built copy camera was
rolled across the work. This allowed layout decisions to be
made through the camera lens. Once the shots had been taken,
the design process was essentially reduced to arranging
the images in the right sequence – a relatively easy task.